In fruiting the fungus, all I knew from the outset was that I would aim for a duration of 33:33, and that I would use translated excerpts from the Turin newspaper La Stampa as source material – reviews regarding the 1959 appearance of a young American composer named John Cage on a very popular Italian television quiz show, Lascia o Raddoppia. I was careful not to practice or rehearse the texts in any way, but to confront them in a single take, with no way to correct mushroom pronunciation mistakes.
My most extended personal conversation with Cage transpired in 1989 at an unlikely location: Skywalker Ranch. I noticed that Cage was not eating the catered food; he had his own little dish of brown rice and mushrooms. This led to a lively and comic conversation about mushrooms during which my relative ignorance was gently exposed, and I have since come to believe that Cage’s foraging expertise and his fascination for these strange organisms offer fresh ways to understand his philosophy of composition.
The performance he gave at Skywalker (How to Get Started) used the decompositional process of voicing a passage, then playing a recording back into the room while voicing a second section, and so on, gradually creating a rich fungal compost of words, ideas, and decay. The Skywalker auditorium was thus gradually transformed into a mush-room. This would be my structure as well, though performed in private, only made public through the radio broadcast. Each little mention in La Stampa receives its own generation, regardless of length.
Additional tracks are improvisations played by me on bowed cigar box guitar, plucked psaltery and gently thrummed turntable. I kept post-performance shaping to a minimum, and let myself be guided if not by the I Ching, then by the whispers of Hermes and by the forager’s attentive disposition, so present in the art of John Cage.