Author Archives: DP

The Club

Being a documentary exploration of an imaginary New England croquet club.

A play in the form of a documentary interpreting the trace vibrations of a Gilded Age headache that began in the feet. Created for the BBC in 2005, and broadcast on the New Year of 2006, at the apex of the more recent Gilded Age:

WELCOME TO THE CLUB

Featuring brilliant music by Richard Busch, who also contributed lyrics for the Club’s theme song: I’ve got pink feathers in my Steinway, and nobody in my heart.

TRICKY WICKETS

spinebonewood

THE NARCOTIC ASPECT OF ART


All About Squid

William S. Burroughs suggests that language often behaves like a virus as it passes from mouth to mouth, gathering microbes along the way: microbes provoking strange mutations that may express themselves through the most toxic utterances.

With the below acoustic amuse bouche dating from the year 2000, I propose that at certain times and at certain places, language may also behave like  a fungus, a fungus that if left to its own urgent proliferation soon becomes entangled in the axons and dendrites of the human brain, leaving us with the severely impaired fluency.

I have experienced the fungal quality of language myself when on a hot day in the New York subway, I chanced to hear one departing passenger say to another: So you want to talk about squid? Then they were gone, leaving me in deep corn smut. For whether it was something in the actual voice, or some magical mycological chemical embedded in that precise arrangement of phonemes, it was only a matter of minutes before my entire brain was helplessly possessed by a numbing and relentless repetition of this one cruel sentence, in every stage of fungal bloom and decay — so you want to talk about squid?

Somehow, through instinct or intuition, I sensed that my only hope was to write down what I was hearing in my head, and as I did so, indeed, a squidlike form began to emerge on the page, a form that then became a score for a bit of fungal audiophony:


The Respirator

and other outcasts (1989)

Another MINERVA EDITIONS release, mixing stories with purely invented sound beds such as In Malpais, with voice works like totenklage/lacrymosa and Twilight for Idols.

The title track takes an actual quotation from a magazine article about traumatic brain injury, which I then re-voiced and subjected to multigenerational entropy and eruption, in the style of Ziggurat and other earlier pieces.

If not strictly autobiographical, The Respirator certainly draws in spirit from my own experience in a near-fatal car crash at age sixteen, suffering injuries which rearranged my subjectivity in ways that took a very long time to get sorted.

Several of these pieces were also included in the 1993 Staalplaat CD, The Pleasure of Ruins, clickable below: